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The Latest News from Chris Topp Wrought Iron Works

FREE Technical information for the use of WROUGHT IRON

Information and advice on the conservation and restoration of historic ironwork as, unlike most other crafts in the heritage field, there is little available guidance. Our aim is to help preserve an important part of our heritage by assisting those engaged in the maintenance of heritage buildings, and interested members of the public to;

•    Distinguish between genuine Wrought Iron and the many ‘other iron’ and steel products often mistaken for Wrought Iron.

•    Understand why and when Wrought Iron is the correct material to use.

•    Specify the correct techniques for the restoration and conservation of ironwork thereby ensuring appropriate repairs and like-for-like quotations.

 

Our FREE information is available by clicking here, and then move to the bottom of the page. If you need the information in 'word' format please email us, thank you.

 

 

Image: jscreationzs / FreeDigitalPhotos.net

'Metalworks' history of Wrought Iron

Last night – Wednesday 16th May – was the final episode of ‘Metalworks’ on BBC Four. The programme was an exploration of how blacksmiths throughout history combined creativity and engineering to make items that served society's needs and changed how the world looked. The programme examines both artistic and mass-produced pieces, and considers the work influential individual craftsmen, designers and smiths including Robert Adam, Jean Tijou, George Gilbert Scott, Robert Bakewell and John Tresilian.

In a story where progress meets creative invention, the film looked at how the blacksmith created items in wrought and cast iron that both served and embellished society. From the earliest ornate hinges and doors to magnificent baroque gates and mass-produced street furniture.

A short plotted history of the early years of Chris Topp of Chris Topp & Co. following his work up to 1992.

Chris Topp

Chris Topp did not stand at a forge and work hot metal until he was 27. Seventeen years later he is one of England’s best known blacksmiths and the force behind the move to ‘rediscover’ wrought iron.

Chris started The Campaign for Real Iron in the early 1980’s when he realised that the skills associated with the traditional material of the blacksmith were disappearing.

The last works producing wrought iron in this country closed in 1974. In the early days of the company Chris used to scour the countryside, he frequently dropping what we was doing when he heard of possible stock. A limited amount our wrought iron was being produced at the iron bridge Gorge Museum, but Chris was discovering this not enough to keep him going on his projects.

In 1990, Topp won a contract to construct elegant early 18th century style gates and railings at a country house near York, for a client who appreciated the difference between the mild steel that was usually supplied, and real wrought iron.The problem was; where to find the wrought iron. He heard of a large stockpile, originally the handrail on the south pier at Sunderland, that was about to be thrown away and dashed to the north east. He returned with 15 tons, a load that cost him £200, but which laid the foundations of his business.In 1990 Chris moved to north Yorkshire from Dorothea Restoration Engineering Company he had been managing in Derbyshire to try to get away from people constantly dropping in and asking me to mend prams and sledges. Chris managed to buy the former village garage, which became his forge, plus the house that went with it for £32,000.

Chris was keen to get into some real restoration work, though initially he was resigned to making fire irons, and the misnomer of wrought iron to sell to tourists and garden centres. Fortunately for Chris, the York contract put paid to that. Through his former contacts in Derbyshire and local conservation bodies, Chris found he had enough restoration work to support his wife and young daughter.

Chris’s main desire was to do forge work, from an early age he had been fascinated by iron, when he was at school in Bolton, he used to go and watch the men at the Atlas Iron works.

After gaining a degree in civil engineering at Newcastle University, Chris worked briefly for British Waterways where he concentrated on jobs involving 18th and 19th century iron structures. He started the Derbyshire workshop with a few old school friends, but when that diversified in the late 1970’s, he decided to branch out on his own.

The original stockpile from Sunderland has long gone. In its place is a stock of assorted vintages of wrought iron. Chris acquired rusting bars of metal, some of the finest produced in the early 18th century for the school of Jean Tijou. Some of this was used restore a magnificent pair of gates from Marstron Trussell Hall in Northamptonshire. This is the sort of work Chris loved to do; the work at that period was so delicate and well proportioned.

The end of the 19th century brought the introduction of mass produced puddle irons – inferior, in Chris’s view, to the earlier work made and refined in charcoal fires. However, for everyday purposes, the two are indistinguishable. Both offer a resistance to rust and corrosion you will not find in steel.  Their fibrous nature means they are unsurpassed for ornamental ironwork, where there is a lot of fine beaten three dimensional metalwork.

Wrought ironwork costs more than mild steel, which was introduced in the 1850’s. Despite of the cost, Chris’s did not have a slack period in early years. He has supplied work to the Prime Minister’s residence at 10 Downing Street, Chatsworth House in Derbyshire, Warwick Castle and other famous and historic buildings.

He we have recalled the early years of Chris Topp, following his work up to 1992, this year the company is celebrating its 30th Anniversary, we are extremely proud of the humble beginnings and Chris’s vision for the company and the industry, too many priceless pieces of historic wrought iron are being ruined forever by the repair or restoration with iron and steel materials and not real wrought iron.   He works tirelessly in the field of metallurgy and archaeology in raising the standard of restoration work by blacksmiths and bodies working in the field of historic buildings. 

A new commission to provide wrought iron grilles and a screen with a gate at Annseley - Old Church.

All Saints Church – known as the Old Church – dates from the 12th century, and formed part of the Annesley Estate. The project aims to conserve what remains of the church buildings, making the site more accessible for visitors and enhancing its value for wildlife.

Annesley Old Church stands on a mound within the grounds of Annesley Hall, close to the estate wall. It’s a Grade I listed building, and was bought by Ashfield District Council in 1980 and placed in the care of the Kirkby and District Conservation Society to protect it from a demolition order.

With the help of grant from the National Heritage Lottery the area in 2012 had a makeover and we were involved with making wrought iron grilles and a 16ft high gate to help make the site secure and safe for visitors.  The wrought iron material will be left in a natural untreated state, which will tone in naturally with it’s very historical sitting.

Accreditation for blacksmiths able to work on Heritage Iron work

Skilled Craftsmen

It is National Heritage Iron Work Group’s ultimate aim to set up a register of accredited smiths, made up of those who have proved themselves in some way competent to work on listed ironwork. There is going to be a difficult path to the introduction of regulation in a previously unregulated profession. We will watch with anticipation.

Lady Margaret's Hall - Additional handrails

Lady Margaret Handrails - prior to painting

Additional handrails for the lecture theatre at Lady Margaret Hall in Oxford, we originally installed balustrading in the new theatre back in 2010 and we were asked in install additional uprights and link handrails at the side of each row of seats.

Kensington Palace - Staircase

We have just completed work on stair balustrading and wall handrails as part of a £6 million contract awarded to Mansell Construction at Kensington Palace. Their project involved enhancements to the existing building and the construction a new shop and café for customer Historic Royal Palaces.

The contract is part of the charity’s major £12 million “Welcome to Kensington: a palace for everyone” project that will see the palace transformed in time for the Queen’s Diamond Jubilee and London Olympics in 2012. The Mansell contract involves the remodelling, alteration and refurbishment of parts of the palace while the remaining palace stays open to the public. Extensive landscaping works to the surrounding gardens will also be undertaken to form a new visitor entrance and a water feature installed around the Queen Victoria Statue. Kensington Palace was built in 1689 and was the birthplace of Queen Victoria. It is looked after by the independent charity Historic Royal Palaces which manages some of the country’s most significant and popular historic buildings including the Tower of London and Hampton Court Palace.

3D Modelling computer imaging being used for a new order.

We are currently working on an order from a client for seven very ornate and traditionally designed bronze doors, involving several different cast bronze panels and carved glass insets. What makes this project particularly interesting is the use of a very sophisticated 3D modelling programme and computerised cutting equipment to produce incredibly realistic visuals. This software requires the operator to have an understanding of the materials to be used in the castings process, iron, brass, bronze, mild steel or wood as well as the technical skills involved in the 3D modelling computer programming. The images that the programme creates are 3D, enabling the client to see in great detail how the item will look in-situ. The results that are produced match exactly leaving no surprises for the client.

Go to Featured Project

Grimston Park Balustrade

We have been commissioned to provide a nine metre balustrade with a sapele handrail for a new project at Grimston Park Estate in North Yorkshire.

Technical Information and Interesting Facts - Kensington Loggia

Technical Information and Interesting Facts

•    Year built - 2012

•    Commissioned by – Historic Royal Palaces

•    Designed by – John Simpson & Partners

•    230 Hours to carve the patterns

•    580 Hours to make the patterns

•    24 Different patterns used

•    Materials: - Structure - cast iron, Roof  – zinc with aluminium cappings

•    8144 kgs of cast iron used.

•    1500 Hours to build in the workshop

•    320 Hours to install on site

•    340 Hours to paint in the workshop and on site

Mars Wark in Sterling revamp of Wrought Iron Railings

We were appointed by Historic Scotland to provide bespoke ironwork alterations to Mar’s Wark in Stirling.  Existing railings needed to be adjusted for Health & Safety reasons; all delivered to the highest standards of work using traditional techniques and genuine wrought iron.

30 years - looking back - iron hull repairs

One of Chris early commissions he worked on at his forge, in the former bus garage in the village of Carlton Husthwaite was renewing the iron hull of a former directors inspection launch the Alexandra for the Leeds Liverpool canal – a rusty 35ft long relic.  Chris used genuine wrought iron plates and made rivets, none of the modern steels.

The Alexandra was used by the L&LC Co as their Yorkshire inspection boat, based in a boathouse close to Brewery Bridge in Skipton. Alexandra continued in service as a steam launch until sold privately, in the 1950s, when a petrol engine was installed.

Practical Building Conservation, Metals section

English Heritage has finally published their monster work on Practical Building Conservation. Please follow the link to order your copy:

Chris Topp saw the draft some eighteen months ago and at a quick survey, it looks very comprehensive. We will do a review in the near future.

NHIG CPD at Tyntesfield

Twelve delegates attended their second CPD seminar which was held at Tyntesfield, the famous National Trust house near Bristol. The speakers were Chris Topp and Geoff Wallis. The first day was a day of lectures covering the history of ornamental ironwork, the materials and the methods and techniques, good and bad, of renovation. The second day saw a morning of talks on such subjects as specification and standards, before the group boarded a minibus for a visit to the beautiful iron gates by Thomas Edney in St Mary Redcliffe Church, Bristol, and the Clifton Suspension Bridge where Geoff related many tales of his experiences as the bridge’s maintenance contractor.

Further CPDs are planned at Hampton Court on 14th and 15th May and Holyrood Park in Edinburgh on the 22nd and 23rd October.

The booking form can be downloaded from the NHIG website.

Lack of Heritage Blacksmith Skills highlighed

Much has been written recently about the decline in traditional craft skills, and research by the National Heritage Training Group (NHTG) has given some insight into the scale of the problem in finding skilled craftspeople for the repair of historic buildings. It is clear that new initiatives are required if we are to continue to maintain our traditional building stock. In a recent article published by Cathedral Communications this was highlighted, and the way forward outlined for repairing heritage ironwork.